CAROLE KIM is an interdisciplinary artist with a focus on live video performance and performance-based video installation.  Digital/new media technologies interface with the sensitivity of the improvisational live performer.  The installations explore the illusory architecture of layered video projection in space. The use of live-feed cameras introduces the human form into this layered landscape, mediating the body while preserving the dynamic edge of the live performer. The performance/installations are multi-sensory immersive environments that often explore a de-centralized viewing space. Kim seeks a generative hybrid of disciplines that collapses boundaries and supports an integrated reciprocal exchange between sound, image, movement, space.

A particular love for live improvisational new music has fostered many sound/image collaborations with musician/composers including Nels Cline, GE Stinson, Jesse Gilbert, Mark Dresser, Vinny Golia, Hahn Rowe, Steve Roden, Sara Schoenbeck, Harris Eisenstadt, Joe Berardi, Jessica Catron, Leticia Castaneda, Albert Ortega, Ellen Burr, Catherine Lamb, Yorgos Adamis, Motoko Honda, Gilbert Nouno, Joelle Leandre, Carla Bozulich, Alex Cline, Scott Amendola. Wadada Leo Smith, Mark Trayle, Karen Elaine Bakunin, Nick Didkovsky, Daphna Naphtali, and Pheroan Aklaff.  She has collaborated with the following dancer/choreographers: Oguri, Roxanne Steinberg, Michael Sakamoto, Shuriu Lo, Jesske Hume, Liz Hoefner, Hassan Christopher, Christine Pichini and Maya Gingery.  A lineup of visual artists and filmmakers has contributed to past projects including: Astra Price, Maile Colbert, Mirabelle Ang, Rebecca Baron, Beth Bird, Eve Luckring, Adele Horne, Christine Marie, Bo Sul Kim, Ann Kaneko, Lisa Tchakmakian, Pablo Molina, and Alex Lorge.

She has exhibited and performed widely in the US and abroad. Recent venues include the Museum of Modern Art, New York, Museum of Contemporary Art-Los Angeles, REDCAT/Disney Hall, the Getty Center, Springwave Festival/LIG Performing Arts Hall (Seoul, Korea), Trampoline: Platform for New Media Art (Nottingham, England), the Stanford Jazz Festival, Engine 27 (New York), Arizona State University-West Interdisciplinary Arts & Performance Program (Phoenix, AZ), the Knitting Factory (LA), ArtSonje Center (Seoul, Korea) plus numerous festivals and performance series. Eyebeam Atelier in New York commissioned a piece on the web and the performance/installation REVERSE HOUSE KIT was featured in the DVD publication ASPECT vol2: New Media Artists of the West Coast.